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Viardot_Pauline_-_6_Mlodies_No.3_VWV_1176_-_Ici-bas_tous_les_lilas_meurent-_TEMPLATE

pental

1:30	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	25	9	4	85%
	26	19	9	4	82%
Chant Voice	7	0	2	5	82%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	25	9	4	85%
	26	19	9	4	82%
Chant Voice	7	0	2	5	82%

Franz_Robert_-_Op.1_No.6_-_Tanzlied_im_Mai

pental

0:43	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	12	20	1	4	98%
	15	7	0	4	98%
Singstimme Voice	11	0	2	5	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	12	20	1	4	98%
	15	7	0	4	98%
Singstimme Voice	11	0	2	5	100%

Franz_Robert-_Op.1_No.1_-_Ihr_Auge

pental

1:27	Est. Play Time
47	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	19	30	6	6	97%
	21	14	5	6	97%
Singstimme Voice	11	0	2	6	87%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	19	30	6	6	97%
	21	14	5	6	97%
Singstimme Voice	11	0	2	6	87%

Franz_Robert_-_12_Gesnge_Op.1_No.10_-_Schlummerlied

pental

4:05	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	20	33	5	6	92%
	27	18	7	5	86%
Singstimme Voice	10	0	2	5	94%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	20	33	5	6	92%
	27	18	7	5	86%
Singstimme Voice	10	0	2	5	94%

Cornelius_Peter_-_An_Bertha_Op.15_No.1_-_Sei_Mein

pental

1:35	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	23	64	7	5	100%
	25	21	6	5	100%
Gesang Voice	13	0	2	3	90%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	23	64	7	5	100%
	25	21	6	5	100%
Gesang Voice	13	0	2	3	90%

Canzone a 2: Cornetto o violino e trombone Giulio Belli (1560-1622)

pental

3:50	Est. Play Time
102	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cornettino o violino	12	2	7	100%
Organ	16	1	6	100%
Trombone	12	1	7	97%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cornettino o violino	12	2	7	100%
Organ	16	1	6	100%
Trombone	12	1	7	97%

Missa "Au travail suis" Kyrie Johannes Ockeghem

pental

2:32	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	0	2	6	92%
Superius	14	0	3	6	92%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	2	6	92%
Superius	14	3	6	92%
Tenor	13	1	6	90%
Bassus	13	1	5	69%

Missa "Au travail suis" Benedictus Johannes Ockeghem

pental

1:34	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus	13	0	2	6	71%
Tenor	13	0	2	7	68%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus	13	2	6	71%
Tenor	13	2	7	68%
Superius	9	2	5	50%
Altus	7	0	7	48%

Missa "Au travail suis" Agnus Dei Johannes Ockeghem

pental

4:12	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	10	0	2	5	97%
Tenor	11	0	2	5	94%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	10	2	5	97%
Tenor	11	2	5	94%
Bassus	10	0	5	90%
Superius	10	3	6	90%

Morgen- Richard Strauss op.27 N°4

pental

3:26	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	24	4	7	100%
	26	11	5	7	100%
Voice	11	0	2	7	55%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	24	4	7	100%
	26	11	5	7	100%
Voice	11	0	2	7	55%

Missa "Au travail suis" Sanctus Johannes Ockeghem

pental

2:08	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	10	0	3	7	82%
Altus	11	0	1	6	78%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	10	3	7	82%
Altus	11	1	6	78%
Bassus	14	2	6	73%
Tenor	9	1	6	67%

5 The Lamb R. Vaughan Williams

pental

2:39	Est. Play Time
50	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		15	0	2	5	100%
Voice		9	0	0	4	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		15	0	2	5	100%
Voice		9	0	0	4	94%

Take, O take those lips away. Roger Quilter

pental

1:05	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	38	5	5	91%
	21	12	2	5	100%
Flute	10	0	2	7	71%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	38	5	5	91%
	21	12	2	5	100%
Flute	10	0	2	7	71%

Under the Greenwood tree Roger Quilter

pental

1:40	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano	25	52	6	5	96%
	29	36	6	6	98%
Flute	10	0	2	6	76%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano	25	52	6	5	96%
	29	36	6	6	98%
Flute	10	0	2	6	76%

air du rat Erik Satie

pental

0:37	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	9	1	2	97%
	11	6	0	3	76%
Chant	13	0	2	3	95%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	9	1	2	97%
	11	6	0	3	76%
Chant	13	0	2	3	95%

1-Loveliest of trees from A Shropshire Lad Butterworth George

pental

0:01	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	27	37	5	9	82%
	30	16	8	7	72%
Voice	12	0	2	6	73%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	27	37	5	9	82%
	30	16	8	7	72%
Voice	12	0	2	6	73%